An essay on dramatic poetry dryden
which, he is immediately distinguished from the rest of men; which being lively and naturally. Humor was his proper Sphere, and in that he delighted most to represent Mechanic laboring, vulgared. I could multiply other instances, but these are sufficient to prove that there is no error in choosing a subject which requires this sort of narrations; in the ill managing of them, there may. The latter half of the Hemistich as commonly made up, or a second line subjoined as a reply to the former; which any one leaf in Jonsons Plays will sufficiently clear to you. But to do this always, and never be able to write a line without it, though it may be admired by some few Pedants, will not pass upon those who know that wit is best conveyed to us in the most easy language; and. This Argument, as you have taken it from a most acute person, so I confess it carries much weight. But you took no notice that rhyme might be made as natural as blank verse, by the well placing of the words, etc. Farther I think it very convenient, for the reasons he has given, that all incredible actions were removed; but, whither custom has so insinuated it self into our Country-men, or nature has so formed them to fierceness, I know not, but they will scarcely suffer. And this excellent contrivance is still the more to be admired, because tis Comedy where the persons are only of common rank, and their business private, not elevated by passions or high concernments as in serious Plays. The elegancy of which universum, though it cannot be rendered in our language, yet leaves an impression of the wit upon our souls: but this happens seldom in him, in Plautus oftener; who is infinitely too bold in his Metaphors and coining words; out.
Since that time it is grown into a custom, and their Actors speak by the Hour-glass, as our Parsons do; nay, they account it the grace of their parts: and think themselves disparaged by the Poet, if they may not twice or thrice. I will not deny but by the variation of painted Scenes, the Fancy (which in these cases will contribute to its own deceit) may sometimes imagine it several places, with some appearance of probability; yet it still carries the greater likelihood of truth, if those. A Play, as I had said to be like Nature, is to be set above it; as Statues which are placed on high are made greater than the life, that they may descend to the sight in their just proportion. But this hinders not that there may be more shining characters in the Play many persons of a second magnitude, nay, some so very near, so almost equal to the first, that greatness may be opposed to greatness, and all the persons be made considerable. If Dryden has an agenda, it is perhaps no more specific than,.S.Eliot suggested in The Use of Poetry and the Use of Critidsm (1933 the necessity of affirming the native element in literature. So in their Love Scenes, of which Eugenius spoke last, the Ancients were more hearty; we more talkative: they writ love as it was then the mode to make it, and I will grant thus much to Eugenius, that perhaps one of their Poets, had. Crites launches the debate with his advocacy of the Ancients: the radically classical viewpoint. But for death, that it ought not to be represented, I have besides the Arguments alleged by Lisideius, the authority of Ben Jonson, who has forborne it in his Tragedies; for both the death of Sejanus and Catiline are related: though in the latter. To prove this, they instance in the best of Comical Characters. As for Jonson, to whose Character I am now arrived, if we look upon him while he was himself, (for his last Plays were but his dotages) I think him the most learned and judicious Writer which any Theater ever had. For this Reason, says Aristotle, tis best to write Tragedy in that kind of Verse which is the least such, or which is nearest Prose: and this amongst the Ancients was the Iambic, and with us is blank verse, or the measure of verse, kept.
An, essay of, dramatic, poesy by John, dryden
John dryden an essay on dramatic poesy
An, essay of, dramatic, poesy Summary by, dryden